Tanz im Kunsthaus & Choreografische Werkstatt:
mit dem Hessischen Staatsballett und
lokalen und regionalen Tanzschaffenden:
lokalen und regionalen Tanzschaffenden:
Mo 11 11 2024:
Foto: [Edge] Dance Project
Infos:
Erster Teil der Veranstaltung:
Tanz im Kunsthaus
Am Montag, den 11. November um 19:00 Uhr erobern zunächst die Tänzer*innen des Hessischen Staatstheaters einen ungewöhnlichen Raum: Im KunstHaus Wiesbaden (Schulberg 10) lassen sie sich für eine einmalige Performance inspirieren von den Werken des Malers und Objektkünstlers Peter Roehr. Das Kunsthaus widmet dem frühen Vertreter der Minimal Art derzeit eine interdisziplinäre Hommage, bei der sich internationale Klangkünstler in Installationen mit Roehrs Werk auseinandersetzen. Das Staatsballett bringt eine weitere Perspektive auf den Künstler, der auch als Vertreter der Pop-Art-Fotografie und Vorreiter der Konzeptkunst gilt.
Im Anschluss werden die Zuschauer*innen vom Hessischen Staatsballett zur Wartburg geleitet.
Im Anschluss werden die Zuschauer*innen vom Hessischen Staatsballett zur Wartburg geleitet.
Der Eintritt für den ersten Teil der Veranstaltung ist frei. Wer im Anschluss zur Choreografischen Werkstatt möchte, benötigt ein Ticket, welches auch spontan vor Ort erhältlich ist.
Zweiter Teil der Veranstaltung:
Choreografische Werkstatt
In der Choreografischen Werkstatt präsentieren drei Choreograf*innen Auszüge aus ihren aktuellen Arbeiten. Anschließend laden sie zum Austausch über ihre Arbeitsweisen und das Gesehene ein.
Im Folgenden finden Sie Informationen zu den eizelnen Performaces und Künstler*innen:
Im Folgenden finden Sie Informationen zu den eizelnen Performaces und Künstler*innen:
Lena Kunz:
OCTOPUSSYS CONQUER EARTH. Eine performative Lesung
Zur Performance:
Octopussys conquer earth. Eine Bewegung der Spür-Körper in Revolte gegen die kalte, toxische Welt des Patriarchats und Kapitalismus.
Wir spüren spüren spüren unablässig, verstehst du? Spür-Körper: Das ist, was wir sind.
Das ist unsere Super Power!
Alice-im-Wunderland-like winden wir uns aus den Fenstern, stürmen aus den Türen auf die Straßen und machen das Private zum Politischen. Vereint vernetzt verschwistert werden wir antikapitalistische Magie beschwören und das Patriachart und den Kapitalismus endgültig, nachhaltig und vollkommen zerstören!
Währenddessen: Octopussy-Sein wäre Utopia, dann könnte ich die vielen losen Enden auffangen, anhören, aufdröseln. suche new beginnings with elastic endings. finde neue Unsicherheiten und haufenweise Fragen ohne Antworten.
Verwirrung, auch Zerstreuung und manchmal Angst,
verstehst du?
alles zerflattert.
Pause.
L: Ich möchte mich ausruhen.
Stimme in L´ s Kopf: Ausruhen von was?
OCTOPUSSYS CONQUER EARTH ist eine interdisziplinäre Textsammlung, die im Kontext einer künstlerischen Recherche zu Körpergeschichten queerer & weiblich gelesener Menschen am Entstehen ist.
von & mit Lena Kunz
gefördert durch die Rechercheförderung des Ministerium für Bildung und Kultur Saarland
Wir spüren spüren spüren unablässig, verstehst du? Spür-Körper: Das ist, was wir sind.
Das ist unsere Super Power!
Alice-im-Wunderland-like winden wir uns aus den Fenstern, stürmen aus den Türen auf die Straßen und machen das Private zum Politischen. Vereint vernetzt verschwistert werden wir antikapitalistische Magie beschwören und das Patriachart und den Kapitalismus endgültig, nachhaltig und vollkommen zerstören!
Währenddessen: Octopussy-Sein wäre Utopia, dann könnte ich die vielen losen Enden auffangen, anhören, aufdröseln. suche new beginnings with elastic endings. finde neue Unsicherheiten und haufenweise Fragen ohne Antworten.
Verwirrung, auch Zerstreuung und manchmal Angst,
verstehst du?
alles zerflattert.
Pause.
L: Ich möchte mich ausruhen.
Stimme in L´ s Kopf: Ausruhen von was?
OCTOPUSSYS CONQUER EARTH ist eine interdisziplinäre Textsammlung, die im Kontext einer künstlerischen Recherche zu Körpergeschichten queerer & weiblich gelesener Menschen am Entstehen ist.
von & mit Lena Kunz
gefördert durch die Rechercheförderung des Ministerium für Bildung und Kultur Saarland
Zu Lena Kunz:
Lena Kunz ist Performancekünstlerin aus Wiesbaden und interessiert sich für Räume, in denen sich Performance, Poetik und Politik begegnen.
Aktuell forscht sie zu Körper- und Familiengeschichten queerer und weiblich gelesener Menschen und deren Verwebungen mit den sozialen, kulturellen, historischen, ökologischen Orten, an denen wir aufwachsen, leben, arbeiten, lieben und uns bewegen.
www.lenakunz-tanz.com
Aktuell forscht sie zu Körper- und Familiengeschichten queerer und weiblich gelesener Menschen und deren Verwebungen mit den sozialen, kulturellen, historischen, ökologischen Orten, an denen wir aufwachsen, leben, arbeiten, lieben und uns bewegen.
www.lenakunz-tanz.com
Minka-Marie Heiß & Michelle Munoz:
Auf Gedeih und Verderb
Zur Performance:
Auf Gedeih und Vererb - make or break deals with the entanglement of humans in the endless debate about how to deal with nature in times of economic profiteering and climate change, and the obviously arduous effort to find environmentally compatible, socially just and economically viable global concepts.
With the onset of climate chaos, additional poverty is to be expected on top of that. It is especially the countries of the southern hemisphere, and in them above all the poor population groups, that will feel the bitter consequences of global climate change. An ambiguous time seems to be ahead, man is equipped with knowledge but incapable of action. On the one hand, society has awakened to the realisation that the impending climate chaos requires a reversal. On the other hand, however, many things continue to go on as usual.
The piece does not show a possible way out of this situation, but rather draws the connection, the commonalities and dependencies between the species as well as the real contrasts, lack of awareness, humility and respect.
Musically, the Boleró by Maurice Ravel is used symbolically with its endless loops. Melody, harmony and rhythm remain unchanged throughout the piece. The boléro rhythm opens the piece and is played throughout, while in the course of the piece more and more instruments are added in different timbres, so that the overall effect is one of a long drawn-out, extremely large loudness. The longer the piece lasts, the more one is gripped by the feeling that it could continue in the same pattern for all eternity. But shortly before the end, an abrupt turn shakes you up - the music takes a new path and ends with the loudest part of the piece.
With the onset of climate chaos, additional poverty is to be expected on top of that. It is especially the countries of the southern hemisphere, and in them above all the poor population groups, that will feel the bitter consequences of global climate change. An ambiguous time seems to be ahead, man is equipped with knowledge but incapable of action. On the one hand, society has awakened to the realisation that the impending climate chaos requires a reversal. On the other hand, however, many things continue to go on as usual.
The piece does not show a possible way out of this situation, but rather draws the connection, the commonalities and dependencies between the species as well as the real contrasts, lack of awareness, humility and respect.
Musically, the Boleró by Maurice Ravel is used symbolically with its endless loops. Melody, harmony and rhythm remain unchanged throughout the piece. The boléro rhythm opens the piece and is played throughout, while in the course of the piece more and more instruments are added in different timbres, so that the overall effect is one of a long drawn-out, extremely large loudness. The longer the piece lasts, the more one is gripped by the feeling that it could continue in the same pattern for all eternity. But shortly before the end, an abrupt turn shakes you up - the music takes a new path and ends with the loudest part of the piece.
Zu den Künstler*innen:
Minka-Marie Heiß
Minka-Marie Heiß was born in Frankfurt a.M. and studied mathematics, sports science at the University of Darmstadt and contemporary dance at Iwanson International in Munich. She was a dancer at the National Theatre Darmstadt, danced with the Slovenian choreographer Iztok Kovac and worked internationally as a freelancer with renowned choreographers, including choreographic projects with Rui Horta in France and Portugal. She was twice nominated as a dancer and choreographer for the International Solo Dance Festival in Stuttgart and and from 2005 to 2015 she directed her own company 'hausgemacht' with numerous works that toured internationally. Since 2000 she has been Professor of Contemporary Dance at Iwanson International and in 2008 received the Isadora Award from the Iwanson-Sixt Foundation for her artistic work. As a choreographer, Minka-Marie has worked with Reinhild Hoffmann at Tanzhaus Zürich as part of SIWIC, was part of 'risk to fail' in Reutlingen with Ballett Pforzheim and James Sutherland, was choreographer in residence at the Choreographisches Zentrum Heidelberg and regularly creates pieces for the strado danza company in Ulm (Domenico Strazzeri) and for the Zubkov Foundation in Poland. Minka-Marie teaches internationally at companies such as Norrdans, Gärtnerplatztheater München, Landestheater Linz, Theater Heidelberg, Theater St. Gallen etc. and at festivals such as Wave of Dance in Poland, Recoil in Stockholm. She was a lecturer at the Mannheim University of Music and Performing Arts and assistant to Nanine Linning at Heidelberg Theatre. Her choreography 'le (mas)sacre du printemps' was shown at the Superbloom Festival in Munich's Olympiapark in 2022, at the Festspielhaus Baden Baden, 'Romeo and Juliet' in Ulm's Münsterplatz and in Gdansk, Poland. In 2023 she was awarded 'make or break' at the solocoreografico Jugend in Frankfurt for her interpretation of Maria Giovanna Godino. In 2024 she presented her work "summus finis" - Carmina Burana at the Gasteig in Munich, in Ulm and in Gdansk, Poland. And „make or break“ on Solodance Festival Ankara.
Michelle Munoz
PERFORMANCES
TedX Talks at T.U.M
Choreography by Johannes Härtl
The Nimble Project- Touring Company
Choreographies by: Emese Nagy and Alessandro Sousa Pereira
Festival Junge Tanz - Carl-Orff-Saal at Gasteig, Munich
Choreographies by: Minka-Marie Heiss, Alessandro Sousa Pereir,Emese Nagy, Stella Zannou, Cristina D’Alberto, Hannes Härtl
Hier ist Jetzt in connection with Schwere Reiter
“PADAM PADAM” by Anima Henn Medea
“Femme Fetale” by Natalia Kozbial
Frankfurter Dom St. Bartholomäus.
Verantwort, ich” by Pedro Dias
Bürgerhaus Unterföhring, München.
“We are trying” by Johannes Härtl
Tanz Digital, Berlin
Promo video shoot for their platform
Native English Speaker
B1 German
Rindermarkt Marienplatz, München
Project Sound track für die Stadt- S.O.S Space of Silence 3 hours improvisation.
WORKSHOPS
TANZWERKSTATT EUROPA 2023: Kenan Dinkelmann „Flow Acrobatics“ and Sandra Marín Garcia „Crystal Pités Tools & Vocabulary“
IDW Budapest 2023: Tamara Gvozdenovic, Pieter Desmet, Csaba Varga, Attila Rónai, Jenna Jalonen
Hier ist Jetzt in connection with Schwere Reiter
Second Hand News by Michelle S. Munoz and André Luiz Pereida
Skirts in fur, unwinding at Schwere Reiter
Piece by Anima Henn Medea
TedX Talks at T.U.M
Choreography by Johannes Härtl
The Nimble Project- Touring Company
Choreographies by: Emese Nagy and Alessandro Sousa Pereira
Festival Junge Tanz - Carl-Orff-Saal at Gasteig, Munich
Choreographies by: Minka-Marie Heiss, Alessandro Sousa Pereir,Emese Nagy, Stella Zannou, Cristina D’Alberto, Hannes Härtl
Hier ist Jetzt in connection with Schwere Reiter
“PADAM PADAM” by Anima Henn Medea
“Femme Fetale” by Natalia Kozbial
Frankfurter Dom St. Bartholomäus.
Verantwort, ich” by Pedro Dias
Bürgerhaus Unterföhring, München.
“We are trying” by Johannes Härtl
Tanz Digital, Berlin
Promo video shoot for their platform
Native English Speaker
B1 German
Rindermarkt Marienplatz, München
Project Sound track für die Stadt- S.O.S Space of Silence 3 hours improvisation.
WORKSHOPS
TANZWERKSTATT EUROPA 2023: Kenan Dinkelmann „Flow Acrobatics“ and Sandra Marín Garcia „Crystal Pités Tools & Vocabulary“
IDW Budapest 2023: Tamara Gvozdenovic, Pieter Desmet, Csaba Varga, Attila Rónai, Jenna Jalonen
Hier ist Jetzt in connection with Schwere Reiter
Second Hand News by Michelle S. Munoz and André Luiz Pereida
Skirts in fur, unwinding at Schwere Reiter
Piece by Anima Henn Medea
[EDGE] Dance Project
Echoes through time
Zur Performance:
In the new creation “Echoes through time” we merge neo-classical and contemporary styles to explore life's journey through a timeline of evocative pieces. The performance begins with the freedom and innocence of childhood, progressing to the teenage years, where the dancers embody the search for identity and the pressure of societal expectations. As the narrative shifts into adulthood, the choreography illustrates the tension between aspiration
and responsibility, highlighting the struggle to balance personal dreams with the demands of daily life.
The performance delves into the emotions associated with aging, capturing the bittersweet nostalgia of knowing our time is limited. Ultimately, it shifts toward the acceptance of growing older and the peace that comes with it. Central to the performance is the philosophy that youth is sustained by an unbounded capacity to dream, create, and imagine; as long as these persists, age becomes less a numeric measure and more a state of mind.
and responsibility, highlighting the struggle to balance personal dreams with the demands of daily life.
The performance delves into the emotions associated with aging, capturing the bittersweet nostalgia of knowing our time is limited. Ultimately, it shifts toward the acceptance of growing older and the peace that comes with it. Central to the performance is the philosophy that youth is sustained by an unbounded capacity to dream, create, and imagine; as long as these persists, age becomes less a numeric measure and more a state of mind.
Zu den Künstler*innen:
We are a multicultural group of dancers based in Mainz united by a shared passion for movement and expression.
Our values of authenticity, self-expression, and inclusiveness serve as the foundation of our work, to continually create dance and extend the reach of our craft to the community around us.
Our style ranges from neo-classical to contemporary and we constantly seek new ways to push our boundaries. With our performances, we hope to connect with the audience and make our art-form more culturally accessible.
Our values of authenticity, self-expression, and inclusiveness serve as the foundation of our work, to continually create dance and extend the reach of our craft to the community around us.
Our style ranges from neo-classical to contemporary and we constantly seek new ways to push our boundaries. With our performances, we hope to connect with the audience and make our art-form more culturally accessible.
Mediathek:
Michelle Munoz
Choreografin Minka Marie Heiss
Foto: Nils Schwarz
[Edge] Dance Project
[Edge] Dance Project
[Edge] Dance Project